To name a city after the sun god Apollo seems to have been very popular in Greek history as we find several cities by the name of Apollonia in Turkey (Lycia, Mysia, Pisidia, etc.); in Sicily, Italy; in Greece itself (Thessaloniki, Chalcidice, Kavalla, etc) and in Crete; in Libya, where it was the harbor of wealthy Cyrene; and finally here in Illyria, modern Albania.
This time, I’ll be concentrating on Apollonia
in Albania , located at
about 7 kilometers
from Fier (see: Alexander’s
psychological warfare in Pelion, Illyria). The city is well
documented during Roman times and the remains are obviously very Roman too. For
Alexander this was deep into Illyrian
country, just beyond the northern border of Epirus .
The original name was Gylakeia, after its
founder Gylax who belonged to the
Illyrian tribe of the Taulantii. It were the Greek colonists migrating from Corinth andCorfu
in 588 BC who changed the name into Apollonia. They were the ones who
controlled the city and ruled over the Illyrians. Money was made from slave
trade and agriculture, but maybe mostly through the supply of asphalt that was
a valuable material for the caulking of ships in antiquity. Located on a branch
of the Via
Egnatia, it is obvious that it was an important harbor along the
Illyrian coastline to link up with Brindisi on
the other side of the Adriatic Sea and a transit port for all kinds of goods
travelling between Byzantium andRome .
Across from the Bouleuterion are two big stumps
of stone indicating the site of a triumphal arch at the end at the street
leading into Apollonia and dating from the 3rd century AD. To the right, but
difficult to make out are the remains of a Library from the 2nd-3rd century AD,
a proof of the city’s importance – if needed. On the other side of the street,
lies an Odeon that has been carefully restored and could hold as many as 650
spectators. Adjacent is a small Sacellum, an open sanctuary dedicated to an imperial
cult. The niche was most probably flanked by two Ionic columns and we still can
see the rosettes and lion paws of their base.
It is followed by a portico, 78 meters long, punctuated
by 17 niches that once held marble statues. This portico seems to date from the
4th century BC and was divided lengthwise in two by a row of Doric columns,
whereas the outside columns were of Ionic style. I am told that this kind of
structure is unique for Apollonia.
The portico ends at the Sacred Road where we find a temple right
around the corner, dating from the second half of the 2nd century BC but
probably renovated four centuries later and possibly dedicated to Jupiter, Juno
and Minerva. The Sacred Road
continues further uphill to the Acropolis where little or no excavations have
been done. With a width of nine meters, it is the widest street so far in Apollonia,
paved with river pebbles laid directly on the clay surface.
On the other side of this Sacred Road are three vaulted shops,
almost square in shape (3.45x3.40m) whose entrance could be closed by heavy
double doors. The walls were very thick to keep out the moisture and guarantee
a nearly constant temperature in order to preserve the goods stocked inside. They
seem to be built during the second half of the second century AD. Against these
shops another construction deserves our attention for this is a water cistern that
was used from the 4th century BC all the way to the 2nd century BC and still
has kept its impermeable inside coating.
Opposite this Sacred Road are the remains of a large
villa, in fact no more than a succession of mosaic floors. The house was
divided in four parts: an entrance portico of 14x5.8 m right opposite the
Sacred Road; the main room measuring 12x11.8m with a center of white mosaics surrounded
on all four sides by a corridor 2.9
m wide paved with little brick squares of 5x5 cm; the
back room overlooking the sea. It is thought that this house was used as a
gathering place for the believers before starting their procession over the Sacred Road . The
most precious mosaics have been covered, of course, but the remaining ones are
quite interesting. The attentive visitor will also notice the clearly Roman
sewage system running parallel to this building.
As every single Greek city, the location of Apollonia
was chosen with greatest care, overlooking the Aoos River and its fertile valley with the Adriatic Sea at the far horizon.
My greatest surprise, however, was the local
museum, housed in the 14th century monastery attached to the church of St Mary ,
by itself worth a visit. Under the watchful eyes of the soaring Pantocrator it
is easy to discover all sorts of antique fragments: Corinthian capitals placed upside-down
to serve as a base for some Christian relic or flowers; the marble wall of a
well with deep gutters left by the ropes that pulled the water-buckets over the
centuries and now on dry land; small lidless sarcophagi turned into mini-gardens;
and other spolia spotted in the outside
walls. In the upstairs portico leading to the very entrance of the museum
several grave steles and smaller altars have found refuge.
Since I have been walking through Roman Apollonia,
I expect this museum to reflect that image. Well, not entirely so for
originally the city was founded by Greeks who imported the art from their
home-towns or created their own imitation. I walk among Attic vases and hydras
from the 5th century BC, Apollonian bottles and pots but also some Italic
imports. The Hellenistic period is also very present with several marble
steles, reliefs, busts and statues, but the eye catcher is this wonderful
shield that I immediately recognize as Macedonian. But wait a moment … according
to the label it seems to be Illyrian! How on earth is that possible? I take a
closer look at this splendid piece with three concentric circles in its center
around the frightening head of a Gorgon in Classical Greek style sticking out its
tongue and staring at me with shiny inlaid eyes. The border of the shield also
counts three concentric rows of circles framing six half circles around the
edge. I fail to see what makes it Illyrian, and inquire with the museum
director who tells me that the difference lies in the curving. Well, I suppose
he knows but I am not entirely convinced till I see other examples of Illyrian
shields later on in Tirana and at the Skanderberg Museum .
I’m totally baffled by this revelation! Ironically the Illyrian shield in Apollonia
is presented next to a splendid Macedonian helmet that has been dated to
314-312 BC, a rather narrow timeline.
So, all in all, Apollonia was definitely
worth a visit, including the local museum. Some artifacts, however, have been
moved to the national museum at Tirana where I discover a hoard of silver
drachmae from the 1st century BC, as well as a head of Demosthenes
(1st century AD) – of all people, what is he doing here?
I’m not too far away from Alexander after all!
I’m not too far away from Alexander after all!